Tag Archives: R&D

Artist Spotlight: Fran Olivares

Our latest Dysbiosis team spotlight is on Chilean performer, director, translator, tutor and theatremaker Fran Olivares. When Fran isn’t busy bringing thought-provoking theatre to life, she is also a proud mother to a 2-year-old who keeps her on her toes and gives her a whole new appreciation for the power of imagination and play!


Tell us about yourself and your creative practice.

I’m Fran, a theatre person from Chile, now based in SE London. My work spans directing, performing, translating, writing, and facilitating, all focused on themes around identity, marginality, and the female experience. Dysbiosis addresses the urgent and dreadful impacts of global warming and neo-capitalist exploitation. Personally, these issues are not abstract for me; they’re part of the reality currently affecting South America, and as a mother, the future of our planet weighs heavily on my mind.

I’m driven by the belief that making even a small difference in our corners of the world can lead to a brighter future. So, for me, my work is more than just putting on a show for entertainment; it’s also about using my body/voice as a tool for communication, a way to build community, and a platform to shine a light on the issues that matter.

What does ‘dysbiosis’ mean to you?

To me, ‘dysbiosis’ is about imbalance, and not just in nature, but in how we interact within our communities. It’s as if everything from the ecosystems to our social structures have fallen out of harmony because of the way we treat each other and our planet. 

Artist Spotlight: Yael Elisheva

We met up with the Dysbiosis team again for a second week of R&D at Queens Theatre Hornchurch two weeks ago. Our third spotlight is on theatremaker, physical performer, drag artist, drama facilitator and many more things Yael Elisheva. They often work in Jewish spaces and use their artistic practice as a means of examining Jewish culture and religion.

What is your relationship with nature?

In my work, I play with found objects and explore how they can be used unconventionally and with multiple purposes. I grew up observing the sabbath, which gave me a strong connection to nature and rest and play. In today’s Western society – our relationship with rest is often viewed as lazy. I’d love to challenge that and offer rest as a means of rejuvenation for our planet.

How do queerness and nature intersect?

When I first heard of different animals and plants that are constantly changing genders like oysters and mushrooms, I felt so validated in my own gender expression. 

How does your heritage influence the way you view/value nature?

As a jew, I have rituals and prayers that revolve around nature and gratitude for nature. I have been specifically interested in how the Jewish sabbath embodies an attitude of rest which allows nature to rest as well. 

Were any aspects of the project new to you (e.g. devising collaboratively, doing an R&D, working with a designer-led company) and if so, what did you expect coming in?

Artist Spotlight: Tasnim Siddiqa Amin

Tell us about yourself and your creative practice.

I’m Tasnim, a queer Bangladeshi-British woman from East London and I am a visual artist, theatremaker and writer. I am Assistant Producer/Director for Daedalus Theatre Company. 

What does queer ecology mean to you?

I don’t do very well with long words haha but after spending a week unpacking and consistent Googling I would say queer ecology describes a critical, intersectional and decentralised approach in the way we look at how people, plants, animals and smaller organisms interact with their environment, both locally and globally.

What did you discover about yourself and the way you work during the Dysbiosis R&D week?

I discovered that I really thrive in pressured creative environments bouncing ideas of creatives from different disciplines. It dawned on me that to pursue a project you don’t need to have it all figured out, having an idea is good enough. I never knew I could work with venues this way, the way Paul was doing, to say hey I have an idea and I want to bring along a bunch of people that I’ve never met from different creative disciplines in a rehearsal room at your theatre and see what happens. 

Artist Spotlight: Kathryn Webb

While we prepare for the next stage of Dysbiosis, our journey through queer ecology and environmental justice at Queens Theatre Hornchurch, we’re introducing some of the amazing artists we’re privileged to work with on the project. First up is Kathryn Webb.


Tell us about yourself and your creative practice.

Hi! My name is Kathryn and I’m a queer, neurodivergent, working-class creative from Cranham. Ever since I can remember, I’ve always been into ‘making things’. In primary school, me and my bestie used to shoot our own version of Doctor Who, complete with ketchup blood, on a camcorder in his back garden. Nowadays my creative output spans theatre, film, poetry and anything in between. I’ve been mentored by Sky Arts, Creative England, Rianne Pictures, and made a short film for the BBC100 Project. My work stems from an interest in marginalised voices, folklore, and queerness. Previous theatre work has been staged at Theatre503, Arcola, Golden Goose, Pleasance, and Omnibus.

What does queer ecology mean to you?

To me, queer ecology is about questioning what we take for granted when we think of nature, science and reproduction. Unpacking the colonialism and white supremacy of the ‘truths’ we’ve been given and expanding our horizons to see beyond binaries. Nature is brimming with examples of queerness – it’s no joke that we’ve always been here and always will. Through this process, I’ve been empowered to challenge the notion that we exist to procreate.

Dysbiosis R&D at Queens Theatre, Hornchurch

We had an amazing week developing a new project at QTH, so we should start with a huge thank you to the venue for being so welcoming and supportive. Thanks also to all the creative practitioners involved for their generosity, intelligence and imagination. Clockwise from left, in the picture above: Shakira Stellar, Fran Olivares, Tasnim Siddiqa Amin, Paul Burgess, Nuke Lagranje, Kathryn Webb, Yael Elisheva and Jo Palmer. We also had remote contributions from Zia Almos Joshua and a talk on eco-scenography from Andrea Carr. Some more creative professionals will be joining us as the project develops.

Bringing the community-building ethos and cross-cultural story exchange methodology of our East project together with the visual theatre work of director Paul and the combined art and theatre background of assistant director Tasnim, the project is a critical look at the Global North’s relationship with the more-than-human world, using a lens of queer ecology to question not only the engrained world-views of mainstream Western thought but also some of the heteronormative and binary assumptions of the environmental movement. New themes emerged during the week too, not least how folk stories and myth act as an intermediary in our relationships with Nature. But the big question for the R&D was more methodological, and goes right to the heart of Daedalus’s mission: how to bring together a multiplicity of voices to create a truly collaborative performance that can hold different styles, viewpoints and perspectives. Over the years we’ve learned a lot about what works and what doesn’t, but we also know that every project is different, and it’s exciting to start the journey of finding what’s right for Dysbiosis.

Dysbiosis: Call for Creative Practitioners

A paid opportunity to be part of an exciting new project!

We’re seeking a range of creative practitioners – from performers and theatre-makers to artists and filmmakers – to be part of making our next production. This is an opportunity to join the research and development process for a new theatre project exploring our relationship with nature. Dysbiosis (working title) will examine topics including the language we use to speak about nature, the Global North’s relationship to the natural world and queer ecology. It will also investigate greener ways of making theatre, partly building on the ideas of Ecostage.

We’re looking for practitioners to join us at Queens Theatre Hornchurch for part or all of the week of 27th March. We particularly encourage people from Outer East London and South Essex to apply. We’re interested in people from all backgrounds and at all stages of their professional careers, though experience in devising would be beneficial. We can pay artists £175 per day pro rata up to a maximum 5 days.