Tag Archives: Dysbiosis

DYSBIOSIS: Creative Nature Workshops – call for participants

Calling all Rainham and Wennington residents!

Our latest community programme is now live for DYSBIOSIS: Creative Nature Workshops. 

Join Daedalus Theatre Company for some fun and relaxed drop-in workshops and contribute to a collaborative artwork that will be displayed at Rainham Royals and Queens Theatre Hornchurch. Sign up via Google Forms here. If you need support with the form email tasnim@daedalustheatre.co.uk or if you prefer to do it on the phone, call Tasnim on 07942 476053

Location: Rainham and Wennington, East London

Dates:
Session 1. Saturday 24 February 2024, 11AM-2.30PM
Nature Walk at Rainham Marshes, Purfleet
Meeting point: Rainham Library, 6 Celtic Farm Road, Rainham RM13 9GP
Session 2. Friday 1 March 2024, 6-8.30PM
Creative Workshop, Royals Youth Centre, Viking Way, Rainham, RM13 9YG
Session 3. Friday 8 March 2024, 6-8.30PM
Creative Workshop, Royals Youth Centre, Viking Way, Rainham, RM13 9YG
Session 4. Friday 15 March 2024, 6-8.30PM
Creative Workshop, St Mary & St Peter’s Church, Wennington Road, Wennington, RM13 9DX 
Meeting point in Rainham for those who need transport to Wennington TBC.

Plus follow-up sessions later in the year! 

You do not need to attend every workshop.

Be part of a fun and relaxed project to explore how we relate to nature and the natural world. Havering is one of London’s greenest boroughs! It’s rich in nature and history. For example, did you know that 400,000 years ago, the Anglian ice sheets reached as far as Hornchurch, forcing the Thames into its present course, or that if you’re lucky, at low tide, you can see the remnants of an ancient forest from the Neolithic age?

This is an opportunity to explore your creativity with the support of interdisciplinary arts professionals from the Dysbiosis project. You’ll be guided through the process of making a personal creative response to the theme, then work with the rest of the group to make an installation that combines everyone’s work. The work will then be showcased at Rainham Royals and Queens Theatre Hornchurch. No experience necessary. 

Who is it for? All residents of the Rainham and Wennington area are welcome. Aimed at adults but children are welcome if supervised by an adult.

For more information, email Assistant Producer/Director Tasnim at tasnim@daedalustheatre.co.uk or call 07942 476053

Organised by Daedalus Theatre Company in partnership with Havering Changing and support from Queens Theatre Hornchurch and Arts Council England. 

Check out the Daedalus website and sign up for the Daedalus newsletter for more about the project Dysbiosis, the company and the latest Dysbiosis project updates or follow us on Instagram, X (formerly known as Twitter) and Facebook.


Creative workshops at Poplar Union, Tower Hamlets, for a previous project: Mobile Incitement

Daedalus Theatre announce new partnership with Havering Changing

Date: 16 January 2024

Daedalus Theatre Company has been awarded Creative Community Support by Rainham Change Makers, the local Havering Changing steering group in Rainham, to deliver creative nature workshops in Rainham and Wennington this Spring 2024.

The creative nature workshops are for local adults in Rainham and Wennington with an interest in nature and a curiosity for visual arts. Together, we will work on a collective response to probing questions about nature and local green spaces that will be showcased as a mobile installation. The project will also experiment with sustainable materials and look at ecological ways of thinking. Work with the group, along with the Queens Theatre Hornchurch young company programme, will feed into our next iteration of the DYSBIOSIS project. 

The new work-in-progress project DYSBIOSIS began with an R&D at Queens Theatre Hornchurch in April 2023. Supported by Arts Council England, we delivered an R&D at Queens Theatre Hornchurch in Autumn with a group of exciting creative practitioners such as Zia Álmos Joshua and Havering local Kathryn Webb. The project seeks to explore our relationship with nature in the global north through a queer lens. 

Artist Spotlight: Zia Álmos Joshua

Our fourth artist spotlight is on Zia Álmos Joshua [X] (neutral pronouns) who has a unique position on the Dysbiosis project as the only member of the team who has joined remotely for both R&D weeks. Currently doing their PhD in Texas, Zia has been our academic consultant and human encyclopedia on the project.

Can you give us a quick intro to yourself, your research and your creative practice?

I am a researcher, educator, writer, performer, and activ-ish, born and raised in Brixton, London, UK, currently studying for a PhD at Rice University, in Houston, Tx, USA. My research is focused on posthumanism, and the social, political, and philosophical dimensions of taxonomy, ecology, biology, emergent technology, and consciousness, with these also shaping my creative work (autotheory; poetry; prose; performance art). I am dedicated to teaching and education, and spent the 6 years prior to my PhD at the Linnean Society of London and Wellcome Collection, working in science communication and public engagement.

What does ‘dysbiosis’ mean to you?

Dysbiosis to my mind is a complicated term; it technically means a dysregulation in the/a microbial community (the microbiota or microbiome) of the human body, one that we ordinarily live in a mutualistic-symbiotic relationship with, but for whatever reason is out of wack, and so the health of the body is compromised. How I like to think about it, is imagining the Earth and its ecosystems as kinds of bodies with well-regulated mutualistic-symbiotic relationships, and that we are presently entering a stage of existence where a lot of human-related activities and processes have pushed the boundaries of what those various bodily entanglements can tolerate, and the planet itself, or various parts of it, are entering into dysbiosis, ecosystems out of wack, spiraling out of balance.

Reflections on Dysbiosis R&D sharing by Olivia Catchpole

Theatremaker and writer Olivia Catchpole joined us for our R&D sharing at the end of the second week of R&D at Queens Theatre Hornchurch on Friday 1st December 2023. Read on to hear her thoughts on the project and her own interpretation on the meaning of Dysbiosis in relation to her own political standpoint.


Dimmed lights lend an air of expectation to the scene as we come cautiously into the room, wondering what’s in store for us. I’m wondering what “dysbiosis” means and how it might be shown. Coming in from traffic-ridden streets, I’m instantly soothed by the space that has been created, bowls of Mehndi (commonly known as henna in the West) and turmeric paste sit on the table in front of us along with offers of tea and a glimpse of treetops through the skylight. Scripts lie on the technician’s table, ready to be used.

Captures from a movement piece which depicts live video projection of organic materials and video footage by Paul Burgess onto Yael Elisheva

We’re here to see DYSBIOSIS, a piece in development by Daedalus Theatre Company in collaboration with Queen’s Theatre Hornchurch. The project brings local artists together with a group of mostly queer, East-London-based practitioners from a wide range of creative disciplines, to explore stories of queer ecology, colonialism and the Global North’s relationship to nature. As far as I can tell, such projects are thin on the ground in London and Essex, so I’m especially excited to see what they’ve come up with. Perhaps, I hope, the show will alleviate some of the tension I feel thinking of our collective disconnect, even disregard, for nature’s processes at such a vital time. A time of biodiversity crisis, striking the creatures which hold up the basis of our existence. A recent survey led by the RSPB found that flying insects have declined by 60% in the UK in the past twenty years. One fact in a seemingly endless stream of dire warnings. I wonder, with the familiar frustration, whether I need to explain the gravity of this situation. Not only bees are pollinators- every insect lost is the loss of a vital element of the system. Trees, plants, and animals too, are immeasurably more than just a pretty luxury. 

Artist Spotlight: Yael Elisheva

We met up with the Dysbiosis team again for a second week of R&D at Queens Theatre Hornchurch two weeks ago. Our third spotlight is on theatremaker, physical performer, drag artist, drama facilitator and many more things Yael Elisheva. They often work in Jewish spaces and use their artistic practice as a means of examining Jewish culture and religion.

What is your relationship with nature?

In my work, I play with found objects and explore how they can be used unconventionally and with multiple purposes. I grew up observing the sabbath, which gave me a strong connection to nature and rest and play. In today’s Western society – our relationship with rest is often viewed as lazy. I’d love to challenge that and offer rest as a means of rejuvenation for our planet.

How do queerness and nature intersect?

When I first heard of different animals and plants that are constantly changing genders like oysters and mushrooms, I felt so validated in my own gender expression. 

How does your heritage influence the way you view/value nature?

As a jew, I have rituals and prayers that revolve around nature and gratitude for nature. I have been specifically interested in how the Jewish sabbath embodies an attitude of rest which allows nature to rest as well. 

Were any aspects of the project new to you (e.g. devising collaboratively, doing an R&D, working with a designer-led company) and if so, what did you expect coming in?

Dysbiosis R&D Part 2 – A Quick Glimpse!

We have lots more to say about this, along with some exciting news about how we’re working with local residents. But, in the meantime, Nabeela Zaman came along to our end-of-R&D sharing and made this lovely reel.

If you want to know more about the first part of the R&D, back in March, you can read about it here.

September Newsletter

Don’t miss out! To receive our newsletters by email, please sign up here:

In the meantime, here’s the September issue.


Dear friends,

Welcome to our September newsletter.

Firstly, we’d like to share our next spotlight on a member of the fantastic Dysbiosis team. This month we’re featuring Daedalus’s Assistant Producer/Director Tasnim Siddiqa Amin, a queer Bangladeshi-British visual artist, theatremaker and writer from East London. In her spotlight, Tasnim talks about the project and its relationship to her creative journey.

“I found it interesting how all of us with our different backgrounds came back to mythology, folklore or fantasy to creatively express that huge word “nature”. In an age of science where spirituality has largely been confined to organised religions it is interesting to me that when we think of nature we oppose it with science still which is a binary way of thinking, and so associate the unexplained and intangible with nature.”

Artist Spotlight: Tasnim Siddiqa Amin

Tell us about yourself and your creative practice.

I’m Tasnim, a queer Bangladeshi-British woman from East London and I am a visual artist, theatremaker and writer. I am Assistant Producer/Director for Daedalus Theatre Company. 

What does queer ecology mean to you?

I don’t do very well with long words haha but after spending a week unpacking and consistent Googling I would say queer ecology describes a critical, intersectional and decentralised approach in the way we look at how people, plants, animals and smaller organisms interact with their environment, both locally and globally.

What did you discover about yourself and the way you work during the Dysbiosis R&D week?

I discovered that I really thrive in pressured creative environments bouncing ideas of creatives from different disciplines. It dawned on me that to pursue a project you don’t need to have it all figured out, having an idea is good enough. I never knew I could work with venues this way, the way Paul was doing, to say hey I have an idea and I want to bring along a bunch of people that I’ve never met from different creative disciplines in a rehearsal room at your theatre and see what happens. 

In case you missed it, our latest newsletter…

Welcome to this quick roundup of news from Daedalus Theatre Company.

If you’ve been stuck in London these past few weeks, there’s not been much of a summer. But with September around the corner, we’ve been busy brewing some exciting projects and plans.

Ten Years East at A Season of Bangla Drama – save the date!

We’re really thrilled to announce that East Storytelling Project has been selected for this year’s A Season of Bangla Drama, with an evening of stories and songs from across the diverse cultures of East London. In line with the festival’s theme for 2023, we’ll be exploring love in its many forms. It’s also ten years since we started East, so we have a line-up of tellers and singers from across the decade. We’ll also be performing at the venue where it all began: Rich Mix in Bethnal Green.

Here’s a summary of the festival programme and for now, please save the date! Our show, Ten Years East, is on the evening of 19th November.

Artist Spotlight: Kathryn Webb

Artist Spotlight: Kathryn Webb

While we prepare for the next stage of Dysbiosis, our journey through queer ecology and environmental justice at Queens Theatre Hornchurch, we’re introducing some of the amazing artists we’re privileged to work with on the project. First up is Kathryn Webb.


Tell us about yourself and your creative practice.

Hi! My name is Kathryn and I’m a queer, neurodivergent, working-class creative from Cranham. Ever since I can remember, I’ve always been into ‘making things’. In primary school, me and my bestie used to shoot our own version of Doctor Who, complete with ketchup blood, on a camcorder in his back garden. Nowadays my creative output spans theatre, film, poetry and anything in between. I’ve been mentored by Sky Arts, Creative England, Rianne Pictures, and made a short film for the BBC100 Project. My work stems from an interest in marginalised voices, folklore, and queerness. Previous theatre work has been staged at Theatre503, Arcola, Golden Goose, Pleasance, and Omnibus.

What does queer ecology mean to you?

To me, queer ecology is about questioning what we take for granted when we think of nature, science and reproduction. Unpacking the colonialism and white supremacy of the ‘truths’ we’ve been given and expanding our horizons to see beyond binaries. Nature is brimming with examples of queerness – it’s no joke that we’ve always been here and always will. Through this process, I’ve been empowered to challenge the notion that we exist to procreate.