Tag Archives: research and development

Dysbiosis: Call for Creative Practitioners

A paid opportunity to be part of an exciting new project!

We’re seeking a range of creative practitioners – from performers and theatre-makers to artists and filmmakers – to be part of making our next production. This is an opportunity to join the research and development process for a new theatre project exploring our relationship with nature. Dysbiosis (working title) will examine topics including the language we use to speak about nature, the Global North’s relationship to the natural world and queer ecology. It will also investigate greener ways of making theatre, partly building on the ideas of Ecostage.

We’re looking for practitioners to join us at Queens Theatre Hornchurch for part or all of the week of 27th March. We particularly encourage people from Outer East London and South Essex to apply. We’re interested in people from all backgrounds and at all stages of their professional careers, though experience in devising would be beneficial. We can pay artists £175 per day pro rata up to a maximum 5 days.

Let’s talk about participation

Our artistic director, Paul, has missed shows he really wanted to see because the threat of audience participation made him so anxious. And yet we make participatory theatre. Is this hypocrisy?

A Place at the Table, Amnesty International Human Rights Action Centre, London

Our work isn’t about getting people to do things. It’s even less about picking on people or demanding volunteers. It’s about creating an environment in which people can find their own degree of involvement as equals.

Our breakthrough in this regard was A Place at the Table (pictured during a performance at Amnesty International, London). This is the piece we made about the 1993 coup in Burundi and its aftermath. All the audience sat round a huge table alongside the actors. Everyone was very ‘present’, and the experience was very immediate, but essentially the audience were passive observers until what appeared to be the end. At this point, food was brought and the actors joined the audience for a causal chat. People started talking to their neighbours or just quietly enjoyed the food and the atmosphere. This was actually the second half of the show; and its resolution. After hearing testimonies of appalling violence and heroism, and struggling through the complicated politics and history of Central Africa, a group of strangers found themselves sitting together, sharing food and talking. Some of them talked about how to escape the cycle of violence in Burundi, some just talked about their journey in. Most nights they kept talking till we had to ask them to leave!

Naomi Grossett in A Place at the Table, Amnesty International Human Rights Action Centre, London

Gerrard Winstanley’s True and Righteous Mobile Incitement Unit is the same principle, but structured the other way around. We ask you to come to a tea party ahead of the show. (There’s also a shortened version for when there’s no time for a whole pre-show tea party). Here you can tell us about your experiences of protest, get us up to speed on local issues, make a placard, collaborate on protest song lyrics… or not.  You can also take advantage of the free tea without doing a thing! Similarly, during the performance itself you can sing along. Or not. You can even have a little dance. Or not. You can have another cup of tea. Or not. The point is, we’re asking you to join us as an equal, with full autonomy, and be part of making the show afresh each time. Or not. It’s up to you. you can just watch.

 

Grace Nyandoro in A Place at the Table, Amnesty International Human Rights Action Centre, London

It’s the complete opposite of old-fashioned participation, really. And you can test this for yourself. We’ll be performing Gerrard Winstanley’s True and Righteous Mobile Incitement Unit this Sunday, 6th May, at Poplar Union. Details are here.

 

 

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Stand up now, Diggers all!

After an amazing few months, with a commission from Ovalhouse, followed by performances at Brixton City Festival, and then a residency at Queen Mary uni to develop ways to work with locals to create a bespoke version of the show in each place we visit, here we are, running the whole thing, tea party and all, for the public, for the first time, on our home ground of Tower Hamlets.

And breathe.

Frankly, we couldn’t be more excited.

Booking and info here: https://poplarunion.com/event/gerrard-winstanleys-true-and-righteous-mobile-incitement/

Facebook event here: https://www.facebook.com/events/2094865110749439/

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R&D

We had such a great week of R&D (radicalism & dissent), working on Gerrard Winstanley’s True and Righteous Mobile Incitement Unit with The Black Smock Band and Gerrard himself, who kindly joined us from the C17th.

A massive thank you to Ovalhouse. And thanks to the team: Alex Swift, Andy Bannister, Dan Cox, Maeve O’Neill, Matt Beattie, Paul Burgess, Rhiannon Kelly and Sarah Jeanpierre.

Things are taking shape. Lots more to come…

 

 

The Project Formerly Known as Radical History

GERRARD WINSTANLEY’S TRUE AND RIGHTEOUS MOBILE INCITEMENT UNIT is the name for the collaborations with The Black Smock Band that we were developing under the working title of The Radical History Project.

There’s a project page here, plus there’s loads more info to come as we put the project together… In the meantime, we made a little video about it.

Going Beyond East

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Left to right: Farah Naz, Shamim Azad, Paul Burgess and Sef Townend. Photo credit: Indigo

East‘s behind-the-scenes organisational team met at Rich Mix to plan the next stages of the project. What started as a simple, short-term community storytelling project (led by Daedalus and Bishwo Shahitto Kendro, and supported by Rich Mix, the Arts Council and Apples and Snakes) has grown. With further support from the Arts Council plus some crowd-funding, we’re now making an online archive of our stories (and some songs) and working out how to support our storytelling group’s desire to do something longer-term, while also dealing with several offshoots of the project, including our work on radical history (which will probably now be treated as a separate project) and possible work with local schools and community centres. Oh and the events we’re planning as an offshoot of A Season of Bangla Drama. They’ll be in April. Watch this space…

All of which explains why the meeting was about three and a half hours long. We got through a lot of tea, but were very restrained and shared just one piece of cake between us.

Radical History: project definitely underway

Thanks to Ovalhouse, the Arts Council and private funders, we had our first proper development period on our collaboration with The Black Smock Band: an undertaking which emerged from our East storytelling project but which seems to be taking on a life of its own. Temporarily known as The Radical History Project, it looks at the texts, oral and musical,  left behind by our radical forbears and the mythology of English radicalism they created, while also searching out contemporary and local stories of struggle. We had a very productive week – well, it’d be shameful not, given the incredible wealth of material we have to work with. Our research so far has focused on the Diggers movement, but since we were working just yards away from where the Chartists gathered, we looked at them and at the challenges facing the area today. In fact, a modern-day version of the enclosures is taking place, with social housing being replaced by private developments.

The end-of-week sharing at Ovalhouse cafe seemed to go down well. There was even some dancing. And lots of helpful feedback – thanks everyone!

The team was Alex Swift, Andy Bannister, Dan Cox, John Bryden, Rhiannon Kelly and Paul Burgess.

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We’re still sorting out the documentation but, in the meantime, here’s a photo (credit: Kanatip Soonthornrak). And the project will be back for further research and development soon…

Radical History at Ovalhouse

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Protest and rebellion are as English as rainy bank holidays, cream teas and plundering foreign countries. But plenty of people would have us ignore the great radical moments of our history.

As part of our commitment to exploring the potent mix of local stories and history, we have joined forces with The Black Smock Band – London’s premier gay socialist folk band (as far as they know) –  to take a look at how out forebears fought the power, and what their stories mean today. By rediscovering the songs and ideas that helped change our country, we hope to find where all this turbulence and disorder could lead us today. We’ll be at Ovalhouse so you’ll also hear local stories of resistance, past and current.

This work-in-progress performance will start as a gig. If all goes well, it will end with the revolution we’ve all been waiting for.

November 6th, 9pm, Ovalhouse cafe, free

Facebook event

Ovalhouse website event

See you there!

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