Artist Spotlight: Fran Olivares

Our latest Dysbiosis team spotlight is on Chilean performer, director, translator, tutor and theatremaker Fran Olivares. When Fran isn’t busy bringing thought-provoking theatre to life, she is also a proud mother to a 2-year-old who keeps her on her toes and gives her a whole new appreciation for the power of imagination and play!


Tell us about yourself and your creative practice.

I’m Fran, a theatre person from Chile, now based in SE London. My work spans directing, performing, translating, writing, and facilitating, all focused on themes around identity, marginality, and the female experience. Dysbiosis addresses the urgent and dreadful impacts of global warming and neo-capitalist exploitation. Personally, these issues are not abstract for me; they’re part of the reality currently affecting South America, and as a mother, the future of our planet weighs heavily on my mind.

I’m driven by the belief that making even a small difference in our corners of the world can lead to a brighter future. So, for me, my work is more than just putting on a show for entertainment; it’s also about using my body/voice as a tool for communication, a way to build community, and a platform to shine a light on the issues that matter.

What does ‘dysbiosis’ mean to you?

To me, ‘dysbiosis’ is about imbalance, and not just in nature, but in how we interact within our communities. It’s as if everything from the ecosystems to our social structures have fallen out of harmony because of the way we treat each other and our planet. 

Callout: East Music – a new project

Musicians! You’re invited to East Music: Song and Tune Exchange Session at Poplar Union on Saturday 23rd March, 4PM-6.30PM

Bring your instruments and voices along with songs or tunes from across the world to play, sing and share.

This is a free, friendly and inclusive session for players of all levels of experience – Global Majority* and LGBTQ+ music makers are particularly welcome. The session will be led by East musicians Andy Bannister, Michele Chowrimootoo and Paul Burgess.

This is a new strand of our East Storytelling project, and we hope to extend it to further sessions. All being well, there’ll also be an opportunity to share the results with a live audience later in the year.

DYSBIOSIS: Creative Nature Workshops – call for participants

Calling all Rainham and Wennington residents!

Our latest community programme is now live for DYSBIOSIS: Creative Nature Workshops. 

Join Daedalus Theatre Company for some fun and relaxed drop-in workshops and contribute to a collaborative artwork that will be displayed at Rainham Royals and Queens Theatre Hornchurch. Sign up via Google Forms here. If you need support with the form email tasnim@daedalustheatre.co.uk or if you prefer to do it on the phone, call Tasnim on 07942 476053

Location: Rainham and Wennington, East London

Dates:
Session 1. Saturday 24 February 2024, 11AM-2.30PM
Nature Walk at Rainham Marshes, Purfleet
Meeting point: Rainham Library, 6 Celtic Farm Road, Rainham RM13 9GP
Session 2. Friday 1 March 2024, 6-8.30PM
Creative Workshop, Royals Youth Centre, Viking Way, Rainham, RM13 9YG
Session 3. Friday 8 March 2024, 6-8.30PM
Creative Workshop, Royals Youth Centre, Viking Way, Rainham, RM13 9YG
Session 4. Friday 15 March 2024, 6-8.30PM
Creative Workshop, St Mary & St Peter’s Church, Wennington Road, Wennington, RM13 9DX 
Meeting point in Rainham for those who need transport to Wennington TBC.

Plus follow-up sessions later in the year! 

You do not need to attend every workshop.

Be part of a fun and relaxed project to explore how we relate to nature and the natural world. Havering is one of London’s greenest boroughs! It’s rich in nature and history. For example, did you know that 400,000 years ago, the Anglian ice sheets reached as far as Hornchurch, forcing the Thames into its present course, or that if you’re lucky, at low tide, you can see the remnants of an ancient forest from the Neolithic age?

This is an opportunity to explore your creativity with the support of interdisciplinary arts professionals from the Dysbiosis project. You’ll be guided through the process of making a personal creative response to the theme, then work with the rest of the group to make an installation that combines everyone’s work. The work will then be showcased at Rainham Royals and Queens Theatre Hornchurch. No experience necessary. 

Who is it for? All residents of the Rainham and Wennington area are welcome. Aimed at adults but children are welcome if supervised by an adult.

For more information, email Assistant Producer/Director Tasnim at tasnim@daedalustheatre.co.uk or call 07942 476053

Organised by Daedalus Theatre Company in partnership with Havering Changing and support from Queens Theatre Hornchurch and Arts Council England. 

Check out the Daedalus website and sign up for the Daedalus newsletter for more about the project Dysbiosis, the company and the latest Dysbiosis project updates or follow us on Instagram, X (formerly known as Twitter) and Facebook.


Creative workshops at Poplar Union, Tower Hamlets, for a previous project: Mobile Incitement

Daedalus Theatre announce new partnership with Havering Changing

Date: 16 January 2024

Daedalus Theatre Company has been awarded Creative Community Support by Rainham Change Makers, the local Havering Changing steering group in Rainham, to deliver creative nature workshops in Rainham and Wennington this Spring 2024.

The creative nature workshops are for local adults in Rainham and Wennington with an interest in nature and a curiosity for visual arts. Together, we will work on a collective response to probing questions about nature and local green spaces that will be showcased as a mobile installation. The project will also experiment with sustainable materials and look at ecological ways of thinking. Work with the group, along with the Queens Theatre Hornchurch young company programme, will feed into our next iteration of the DYSBIOSIS project. 

The new work-in-progress project DYSBIOSIS began with an R&D at Queens Theatre Hornchurch in April 2023. Supported by Arts Council England, we delivered an R&D at Queens Theatre Hornchurch in Autumn with a group of exciting creative practitioners such as Zia Álmos Joshua and Havering local Kathryn Webb. The project seeks to explore our relationship with nature in the global north through a queer lens. 

Artist Spotlight: Zia Álmos Joshua

Our fourth artist spotlight is on Zia Álmos Joshua [X] (neutral pronouns) who has a unique position on the Dysbiosis project as the only member of the team who has joined remotely for both R&D weeks. Currently doing their PhD in Texas, Zia has been our academic consultant and human encyclopedia on the project.

Photo credit: Milo Miller (insta: @milo.z.miller)

Can you give us a quick intro to yourself, your research and your creative practice?

I am a researcher, educator, writer, performer, and activ-ish, born and raised in Brixton, London, UK, currently studying for a PhD at Rice University, in Houston, Tx, USA. My research is focused on posthumanism, and the social, political, and philosophical dimensions of taxonomy, ecology, biology, emergent technology, and consciousness, with these also shaping my creative work (autotheory; poetry; prose; performance art). I am dedicated to teaching and education, and spent the 6 years prior to my PhD at the Linnean Society of London and Wellcome Collection, working in science communication and public engagement.

What does ‘dysbiosis’ mean to you?

Dysbiosis to my mind is a complicated term; it technically means a dysregulation in the/a microbial community (the microbiota or microbiome) of the human body, one that we ordinarily live in a mutualistic-symbiotic relationship with, but for whatever reason is out of wack, and so the health of the body is compromised. How I like to think about it, is imagining the Earth and its ecosystems as kinds of bodies with well-regulated mutualistic-symbiotic relationships, and that we are presently entering a stage of existence where a lot of human-related activities and processes have pushed the boundaries of what those various bodily entanglements can tolerate, and the planet itself, or various parts of it, are entering into dysbiosis, ecosystems out of wack, spiraling out of balance.

Reflections on Dysbiosis R&D sharing by Olivia Catchpole

Theatremaker and writer Olivia Catchpole joined us for our R&D sharing at the end of the second week of R&D at Queens Theatre Hornchurch on Friday 1st December 2023. Read on to hear her thoughts on the project and her own interpretation on the meaning of Dysbiosis in relation to her own political standpoint.


Dimmed lights lend an air of expectation to the scene as we come cautiously into the room, wondering what’s in store for us. I’m wondering what “dysbiosis” means and how it might be shown. Coming in from traffic-ridden streets, I’m instantly soothed by the space that has been created, bowls of Mehndi (commonly known as henna in the West) and turmeric paste sit on the table in front of us along with offers of tea and a glimpse of treetops through the skylight. Scripts lie on the technician’s table, ready to be used.

Captures from a movement piece which depicts live video projection of organic materials and video footage by Paul Burgess onto Yael Elisheva

We’re here to see DYSBIOSIS, a piece in development by Daedalus Theatre Company in collaboration with Queen’s Theatre Hornchurch. The project brings local artists together with a group of mostly queer, East-London-based practitioners from a wide range of creative disciplines, to explore stories of queer ecology, colonialism and the Global North’s relationship to nature. As far as I can tell, such projects are thin on the ground in London and Essex, so I’m especially excited to see what they’ve come up with. Perhaps, I hope, the show will alleviate some of the tension I feel thinking of our collective disconnect, even disregard, for nature’s processes at such a vital time. A time of biodiversity crisis, striking the creatures which hold up the basis of our existence. A recent survey led by the RSPB found that flying insects have declined by 60% in the UK in the past twenty years. One fact in a seemingly endless stream of dire warnings. I wonder, with the familiar frustration, whether I need to explain the gravity of this situation. Not only bees are pollinators- every insect lost is the loss of a vital element of the system. Trees, plants, and animals too, are immeasurably more than just a pretty luxury. 

Artist Spotlight: Yael Elisheva

We met up with the Dysbiosis team again for a second week of R&D at Queens Theatre Hornchurch two weeks ago. Our third spotlight is on theatremaker, physical performer, drag artist, drama facilitator and many more things Yael Elisheva. They often work in Jewish spaces and use their artistic practice as a means of examining Jewish culture and religion.

Photo: Hannah Davies

What is your relationship with nature?

In my work, I play with found objects and explore how they can be used unconventionally and with multiple purposes. I grew up observing the sabbath, which gave me a strong connection to nature and rest and play. In today’s Western society – our relationship with rest is often viewed as lazy. I’d love to challenge that and offer rest as a means of rejuvenation for our planet.

How do queerness and nature intersect?

When I first heard of different animals and plants that are constantly changing genders like oysters and mushrooms, I felt so validated in my own gender expression. 

How does your heritage influence the way you view/value nature?

As a jew, I have rituals and prayers that revolve around nature and gratitude for nature. I have been specifically interested in how the Jewish sabbath embodies an attitude of rest which allows nature to rest as well. 

Were any aspects of the project new to you (e.g. devising collaboratively, doing an R&D, working with a designer-led company) and if so, what did you expect coming in?

Dysbiosis R&D Part 2 – A Quick Glimpse!

We have lots more to say about this, along with some exciting news about how we’re working with local residents. But, in the meantime, Nabeela Zaman came along to our end-of-R&D sharing and made this lovely reel.

If you want to know more about the first part of the R&D, back in March, you can read about it here.

Ten Years East: a huge thank you!

Massive thanks to our wonderfully supportive audience, to Ruksana Begum and all at A Season at Bangla Drama, to Jack Birch, John Anthony and the rest of the Rich Mix Team, to Maeve O’Neill at Rua Arts, to our sponsors and funders, and of course to all our incredible artists.

The show was filmed by Marble Sinew and photographed by A Season of Bangla Drama regular Rehan Jamil. But first, let us share the wonderful reel made by Nabeela Zaman:

Next, the official pics from Rehan:

Here’s the video of the show, filmed and edited by Marble Sinew:

Finally, some photos by Jonathan Chan and Kanatip Soonthornrak, and a picture, again by Rehan, of Shamim and Paul being presented with an award for being part of the 20th year of A Season of Bangla Drama.

Announcing the lineup for Ten Years East!

Paul Burgess, Andy Bannister and Michele Chowrimootoo. Image credit: Tasnim Siddiqa Amin

As part of A Season of Bangla Drama, Sunday 19th November 2023, 5:30PM we return to the iconic East London venue Rich Mix, where the East storytelling started in December 2013.

We have an exciting evening of stories and live music for you, and are thrilled to announce the incredible talent that will be taking the stage this Sunday. Farah Naz makes a return to EAST with the story of ‘The Queen of Sheba and Solomon’, we will hear the tale of ‘Rochael the Gossip’ from John Heyderman, Andy Bannister of The Black Smock Band singing ‘The Water is Wide’ and a reimagining of ‘The Sultana’s Dream’ from EAST newcomer Tasnim Siddiqa Amin. We’re also joined by musician and singer Hasan Ahmed and percussionist Michele Chowrimootoo.