Major Projects

Inviting Nature onstage: Dysbiosis premieres at Queens Theatre, Hornchurch


It has been four years in development, including some long pauses for fundraising. But we finally premiered  Dysbiosis to a public audience last weekend. It took place at Queens Theatre, Hornchurch, which is also where it all started. We had performances on the main stage and an exhibition, titled Queering the Earth in the foyer.

The Dysbiosis Collective are Amy Daniels, Amy-Rose Edlyn, Fran Olivares, Kathryn Webb, Nuke Lagranje, Paul Burgess, Shakira Malkani, Tasnim Siddiqa Amin, Yael Elisheva and Zia Álmos Joshua.

Some highlights from the journey. Walking and drawing in Rainham Marshes with local residents. Running a workshop in a chapel in the middle of a cemetery in Sheffield. Doing a birdsong-filled sound walk in another cemetery, this time in Mile End, London. An exhibition of community artworks at the Royals Youth Centre in Rainham. Turning up to make a pitch to a Havering Changing residents’ panel with tea and homemade cake. Collaging with LGBTQ+ young people in Romford. Testing out ideas at Omnibus Theatre, as part of the 96 Festival of LGBTQ+ theatre. 

Artist Spotlight: Amy-Rose Edlyn

We’re delighted to spotlight Amy (they/them), who first joined us in June to install our exhibition at Omnibus Theatre. This time, Amy returns as co-creator of Queering the Earth and stage manager for Dysbiosis. Throughout an intensive week of rehearsals at Queens Theatre Hornchurch, Amy will be bringing a wide range of skills to support the team. As a queer interdisciplinary artist and theatremaker deeply engaged in political and community work, Amy already feels like a long-lost member of Dysbiosis.


Tell us about yourself and your creative practice. You’ve worked across stage management, design, facilitation, and live art – how would you describe what drives your work and where your practice is heading?

I am a queer, multidisciplinary creative based in Tower Hamlets. I started out as a theatre designer/maker alongside working in technical theatre working extensively around West End and off-West End productions for over a decade now. In the past 5 years I expanded my practice in co-founding and directing queer arts company Bold Mellon Collective CIC as a creative producer, facilitator and curator of visual and live-art. Since February 2025, I have also been an artist in residence at Firepit Art Gallery and Studios CIC developing my own visual art & curatorial practice. I am especially interested in community-based projects which weave the intersections of the LGBTQIA+ community together and promote wellbeing through the arts. Politically active and socially engaging works drive me to create and currently I feel my practice going through an exciting transformation in blending these worlds and expanding capacity so I am excited to see where it takes me!

You first encountered Dysbiosis as an audience member at the Omnibus Theatre sharing, then co-curated the exhibition, and now you’re joining as stage manager. What has it been like to experience the project from these different perspectives?

Mobile Incitement returns!

When the pandemic struck in 2020 we had a tour arranged for our gig-theatre piece Gerrard Winstanley’s True and Righteous Mobile Incitement Unit, and were in the middle of fundraising. That tour didn’t happen, obviously, but five years later one of the venues has invited us to perform. It will be part of a season of performances, talks and other events looking at the theme of protest and Exeter’s role in the Civil War period. The venue is St Nicholas Priory, a fantastic mediaeval building in the heart of Exeter. We will be working with local historians and performers to create a really special version of the show.

Artist Spotlight: Amy Daniels

As we enter our third phase of our new project, Dysbiosis, we are a team that continues to grow, and so here we have it: our latest spotlight on our newest team member, Amy Daniels. Amy joined us to present our first public sharing of Dysbiosis at the Omnibus Theatre last month as part of the 96 Festival and will be leading on the lighting design for Dysbiosis here on out. 

Amy has been a lover of theatre since she can remember. She studied English Literature at the University of Sussex, then fell in love with all things production during a year abroad at Stony Brook University in New York. She works on a wide range of performance, with an emphasis on the political, the playful and the pondering. Find her full credits and portfolio on her website – www.amydanielslighting.com 


Tell us about yourself and your creative practice.

Announcing New Daedalus Production and New Partnership at Exciting Queer Festival in South London!

After two R&D phases and more than two years in development, we’re finally ready to share Dysbiosis, our latest theatre project — and we’re doing it as part of the 96 Festival on its tenth anniversary.

We’re thrilled to bring this work-in-progress performance and exhibition to Omnibus Theatre in Clapham, South London, marking an exciting moment for Daedalus as we step outside our usual East London base to join this landmark festival in a vibrant new context.

Dysbiosis is a queer-led, multimedia performance that unearths the tangled connections between queerness, place, nature and environmental justice. Developed through collaboration with working class, global majority and LGBTQ+ Londoners, it weaves together original music, spoken word, performance and visual storytelling to explore how we live in and with the natural world.

Dysbiosis: Nature, Creativity and Community

DYSBIOSIS is a creative wellbeing programme designed to improve mental health, reduce loneliness, and support underrepresented communities in London. Through multi-artform public workshops, a one-day conference and a touring exhibition, the programme fosters social connection, builds confidence and promotes sustainable, creative practices.

We have most of the funding, but our Arts Council grant is conditional on our raising some of the funding ourselves. You can help us achieve this, by donating and by spreading the word; we’d be very grateful!

Artist Spotlight: Nuke Lagranje

For our final Dysbiosis artist spotlight, we meet director, writer, and performer Nuke Lagranje (he/they), whose work draws deeply from his experiences as a queer, neurodivergent person. In the first R&D phase in 2023, Nuke embodied one half of a two-headed, non-human creature—an abstract entity accidentally conjured by an artist. This creature weaves together elements of fairy lore, huldras, and other mythological beings, reflecting a connection to nature and the unseen.

Assistant Director Tasnim sat down with Nuke to discuss his creative practice, the intersections of queerness and nature, making new connections in the industry, and more.

Photo of Nuke Lagranje (right) at Queens Theatre Hornchurch with Yael Elisheva by Hannah Davis.

Tell us about yourself and your creative practice.

My name is Nuke. I direct, write plays and prose and act now and then. My focus when I write or direct is usually magical realism, social activism and psychology. I produced, wrote and directed Constant Reprises. I am Spanish-Dominican, I grew up in Madrid, moved to England for university then moved to London after graduating from Portsmouth. I am queer, Black-Caribbean and… I love dogs. 

What does ‘dysbiosis’ mean to you?

Dysbiosis Creative Nature Workshop

Come along to a relaxed, creative workshop exploring our relationship with nature, part of A Season of Bangla Drama 2024. The theme for this year’s festival is hope. Nature has long been a source of endless inspiration for creativity. It inspires a lot of emotions and brings hope to many of us; something we look forward to exploring in this iteration of DYSBIOSIS.

Discover unknown pockets of nature within Tower Hamlets’ cityscape. This can unlock stories old and new about our multifaceted relationship with nature. Hosted at Mile End Park’s Ecology Pavilion, this workshop offers a chance to explore your creativity. Interdisciplinary artists Paul Burgess and Tasnim Siddiqa Amin will guide the session. There will also be a discussion around how local issues such as air pollution connect with global challenges like climate change. You’ll create a personal artistic response and collaborate on a group piece. A light lunch is included.

Join us to be guided through a creative process that explores your own responses to the themes. No experience necessary!

We are a cross-disciplinary, queer-led theatre company that explores big ideas. We manage intergenerational, cross-cultural projects and activities in Tower Hamlets and beyond. This workshop is part of the larger Dysbiosis project exploring our social and personal relationships with nature and has mainly been developed with the support of Queens Theatre Hornchurch and the Havering Changing.

Artist Spotlight: Shakira Stellar

For our seventh DYSBIOSIS artist spotlight we turn to the exciting, socially engaged work of multidisciplinary musician, composer, theatremaker and poet Shakira Stellar. In the first DYSBIOSIS R&D, Shakira crafted an ambient soundscape using lichen as a musical score, imitating its structures and textures using a synthesiser. During the second R&D, Shakira delved deeper into the symbiosis between the drummer and the earth, treating music as a dialogue of vibrations and frequencies. Through this exploration, Shakira sought to subvert the ancient notion of the “Great Chain of Being,” reimagining rocks and minerals not as the lowest, but as vital, resonant voices in the cosmic symphony.


Tell us about yourself and your creative practice

I’m a multidisciplinary artist, primarily working as a drummer and composer, but I’m also a poet and theatremaker. I fuse these mediums and approaches all the time and love doing so. I follow what sparks my interest and love to try new things so my practice is always developing and growing, which leads me to meet and work with new people, which is so wonderful. I love to learn new things, I’m so happy when I am, so who knows where my artistry will go!

How does your heritage influence the way you view/value nature? 

Cultural Dysbiosis: A Personal Essay by Ruth Kettle-Frisby

Above photo: Ruth, far left, looking out at the view from Wennington Church.

We invited Havering local, environmental activist and writer Ruth Kettle-Frisby to write a guest blog article on DYSBIOSIS after attending some of our DYSBIOSIS Creative Nature Workshops in Havering this month. 

What is nature to me?

When I first saw the term Dysbiosis – the title of the creative workshops here in Havering by Daedalus Theatre Company – my mind began to juxtapose discordant thoughts that seemed nevertheless to harmonise. Funnily enough, it is this very paradox that encapsulates nature.

Nature functions to such a finely tuned degree that the earth spins on its axis around the precise gravitational force to sustain life; and this mechanical harmony extends to our localised experiences here on earth, which can be beautiful to behold.

There are few things I enjoy more than an enchanted stroll around Warley Place when it’s sprinkled with clumps of dewy snowdrops glistening in the morning sun, sporadically dissected by ancient trees, some even thriving in supine slumber after great storms…or treating fluffy ducklings, flapping feral pigeons, and tame grey squirrels to veritable feasts at Langtons Gardens on a crisp Spring afternoon: scenes of comical unrest annually reverberate from the resident cob, angrily chasing persistent Canada geese from the lake; loss and sadness rippling in the still air as it becomes apparent on returning children’s fingers, that numbers no longer add up, and he’s attacked some of his own cygnets.

Nature continues to inspire artists, photographers and musicians; it provides us with sustenance, shelter, oxygen and medicine; it grinds our remains deep into its geology, and it contains coded messages of hope, regeneration and resilience, much like the Gingko trees that survived after the atomic bombings of Hiroshima and Nagasaki. Nature also has the ability to overwhelm with its might, brutality and caprice; blithely indifferent to some of our deepest instincts and desires.